Monday, September 21, 2015

Proximities 2: Destinos Posibles

Curated by Meykén Barreto
Presented in partnership with the ttff/15 new media programme

Wednesday 23 September, 2015, 7 to 10 pm at Alice Yard

Still from Inversión, by Glenda Leon

This selection of video works, first presented in 2014 as part of the groundbreaking exhibition Cuban-American: An Empire State of Mind at Lehman College Art Gallery in New York City, tackles tricky themes inspired by the United States: as the familiar homeland for second- and third-generation children of Cuban parents, or as the distant, imagined place that has historically empowered diverse ideologies in Cuba. The larger exhibition was co-curated by Yuneikys Villalonga and Susan Hoeltzel, while the video art programme, presented here, was organised by guest curator Meykén Barreto.

Including works by Allora & Calzadilla, Juan Carlos Alom, Humberto Díaz, Felipe Dulzaides, Luis Gárciga, Tony Labat, Glenda León, and Ana Olema, this is the second in the Proximities series of video works presented by Alice Yard, exploring relationships within the Caribbean region.

Technical support is generously provided by North Eleven.

Curator Meykén Barreto writes:

“The video programme was designed considering possible links between Cuba and America through the work of some artists whose video practice I consider remarkable, and who offer different approaches to the subject: some explicit and others with an apparently tangential relationship. I also wanted to reinforce the idea of a fluid, open, and completely unprejudiced concept of Cuban identity. Therefore I chose works by eight Cuban-born artists for whom video has been a key medium within the scope of their artistic practice, working in a range of genres: documentary, video performance, action documentation, and fiction. I was interested in including works addressing topics such as identity, Cuban and American cultural interferences, history, and contemporary conflicts in the hemisphere of the Americas, among others.”

All are invited.

Wednesday, September 16, 2015

We are here / we are everywhere


From Actor/Transporter, a performance work by Charles Campbell, part of Alice Yard’s 2011 series ACT 5: The Performative Moment

On 15 September, 2015, Alice Yard marked its ninth anniversary as a space for collaboration and exchange. Over the coming year, as we imagine our way towards our tenth anniversary, the Alice Yard co-directors will issue a series of brief reflections and provocations on some of the key concepts that have occupied us and the members of our network, the enduring questions we keep returning to in our conversations. We welcome responses from our friends, colleagues, and audience.

Tuesday 15 September, the ninth anniversary of Alice Yard’s debut as a public space, was an ordinary day for us, with no planned commemorative event. Two of our three co-directors are away from Trinidad: Christopher Cozier in Miami, at a Cannonball artist’s residency, and Nicholas Laughlin in New York City, at the Brooklyn Book Festival. Meanwhile, founder and third co-director Sean Leonard continues to quietly manage and observe the actions and interactions of our network at Alice Yard and Granderson Lab.

In some ways, this physical dispersal of the Alice Yard co-directors is the apt reflection of a characteristic dynamic. From the beginning, Alice Yard has been a specific, modest location: literally the backyard of a house in Woodbrook, shaped by its urban neighbourhood, open to the life of the street. At the same time, Alice Yard has also been a conceptual space, harder to delimit or define: it is a network of creative and intellectual collaborators, a forum for critical conversation, an experiment about modes of exchange and sharing.

So sometimes we are “here”, sometimes we are not, but all times we are “everywhere”: which is to say that Alice Yard operates wherever there are artists, musicians, writers and others in generous conversation with us. A chart of locations where our network is currently active through exhibitions, projects, performances, residencies, meetings, etc. is a map of almost the whole globe. In merely the past three months or so, those active locations have ranged from Toronto to Havana, Amsterdam to São Paulo, Cambridge to Wellington, Nagoya to Port-au-Prince, and dozens more points in between.

This dynamic of “place” versus “space” is an open question at the core of our evolving understanding. It is a question in contention with the restrictive idea of a “territory” requiring a boundary patrol or a price of admission — an idea inherited from the particular history of the Caribbean. The physical gate to the Alice Yard driveway is open, as is our ongoing conversation about what we are doing and why — as are our hopes that Alice Yard is not another opportunity for asserting territorial claims. Instead we are fascinated by the possibility of a process that defies and supersedes such modes of assertion. We are fascinated by mobility within, across, outside, and returning to a space that is simultaneously here and everywhere.

— SL   CC   NL