Saturday, January 3, 2015

Passing Presence

Gerard H. Gaskin, Roshini Kempadoo, and Camille Chedda
Tuesday 6 and Thursday 8 January, 2015, at Alice Yard

Alice Yard begins the new year with two events featuring three visiting artists:

On Tuesday 6 January, at 7 pm, Gerard H. Gaskin and Roshini Kempadoo will join Alice Yard co-director Christopher Cozier for a conversation about images, archives, and visual histories, based on their recent work.

And on Thursday 8 January, also at 7 pm, artist in residence Camille Chedda will present her current untitled work in progress, created during her time at Alice Yard, which follows her recent investigations of the disposable and the degradable, temporality and violence.

All are invited.

Work in progress by Camille Chedda

About the artists:

Born in Trinidad and based in the United States, Gerard H. Gaskin earned a BA in Liberal Arts from Hunter College in 1994. As a freelance photographer, his work is widely published in newspapers and magazines in the United States and abroad, including The New York Times, Newsday, Politiken, Black Enterprise, Ebony, and others. Additional clientele are record companies including Island, Sony, Def Jam, and Mercury records. Gaskin’s photographs have also been featured in solo and group exhibitions at Duke University Gallery, Syracuse University Gallery, the Brooklyn Museum, the Queens Museum of Arts, the Goethe-Institute in Accra, Ghana and Imagenes Havana in Cuba, as well as in the 2006 Galvanize programme in Port of Spain. His book Legendary: Inside the House Ballroom Scene (Duke University Press) won the CDS/Honickman First Book Prize in Photography.

Roshini Kempadoo is a photographer, media artist, and lecturer at the University of East London. Her research, multimedia, and photographic projects combine factual and fictional re-imaginings of contemporary experiences with history and memory. Having worked as a social documentary photographer for the Format Women’s Picture Agency, Kempadoo’s recent work as a digital image artist includes photographs and screen-based interactive art installations that fictionalise Caribbean archive material, objects, and spaces. They combine sound, animations, and interactive use of objects, to introduce characters that once may have existed, evoking hidden and untold narratives. She is represented by Autograph ABP, London.

Camille Chedda was born in Manchester, Jamaica. She graduated from the Edna Manley College with an Honours Diploma in Painting, and received her MFA in Painting from the University of Massachusetts, Dartmouth. Her works have been featured in major exhibitions at the National Gallery of Jamaica, including the 2014 Jamaica Biennial and New Roots (2013). She has also exhibited internationally in Boston, New York, Germany, and China. She is the recipient of numerous awards, including the Albert Huie Award, the Reed Foundation Scholarship, and the inaugural Dawn Scott Memorial Award for an outstanding contribution to the 2014 Jamaica Biennial 2014. Chedda currently lectures in Painting at the Edna Manley College in Kingston, Jamaica.

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